I’ve been fine-tuning the studio in preparation for work on the soundtrack, plus I have some other work coming up for Leannan Sidhe – their Roses and Ruin project and some second-studio work on their next full studio album. (Having their main engineer and studio be in Oregon when they’re in Seattle is problematic from a scheduling standpoint, so I’m helping out.)
And I have to tell you something: before the latest round of adjustments, I would never have put the words “Bose” and “precise” in the same sentence together. Not without also including the word “not,” anyway. I even dragged Anna upstairs and into the room to listen and she was all, “…<blink> wow.”
Remember my Bose? I’ve talked about them before. They’re old 301s, from this post where I talk about how terrible they sounded in the living room because of the room’s odd shape – see the link, it’s relevant. They sounded much better in the studio – a rectangular room – but still not the way you’d think they should.
Turns out, the way to get their best performance is to put them in a finely-tuned recording studio. IS THAT ALL? WHO KNEW!? ノಠ益ಠ)ノ彡┻━┻
But I put on a test track and was suddenly transported back to my radio days, because they finally sounded like pro gear. I was… not expecting that! It’s not even that they’re just high-end precise; they’re unexpectedly crisp in the low end, too. You particularly hear it in percussion and bass guitar; suddenly, I’m hearing things I’ve never heard before, which means they’re worth having as monitors. For special cases.
Anyway, here’s a video showing the current state of studio tuning. It’s short, and annotated heavily. Enjoy!
Oh, and since people have asked, I will indeed talk about the Big Board, probably next week. Or the week after, I have another topic queued up also. Advance reading (or spoiler, if you prefer): “Heijunka box.”