Back from Norwescon! Here’s what opening ceremonies looked like from the orchestra pit.
It’s All Bendy
And I ran into Aang and Kyoshi, who I thought I’D NEVER SEE AGAIN AAAAAAAAAAAAA or something:
WHERE HAVE YOU BEEN?!
The panels I was on were really well attended, the Leannan Sidhe show I was playing went really, really well, and PDX Broadsides and Bards of a Feather made great first-time Norwescon impressions, and Saturday night was standing-room-only, but the big news for me, personally, is:
I’m stepping down from running nwcMUSIC.
This is a big deal for me; it’s been my baby, but after six years running music at Norwescon and five years building nwcMUSIC as a festival, I need to hand it to other people. I’ve built a legitimate programme here, and I’m really excited that it has momentum and all the tools are in place and everything – but it’s time for me to step down.
The position I’ve created has been, frankly, too much for one person. Certainly for non-supervillains. So there will be several far-more-manageable positions created by my departure.
There will be opportunities like Concerts Lead, Daytime Programming Lead, Publicity and Communications Lead or whatever they end up calling it, possibly a Special Events/Filkcircle Lead. There will be non-lead positions, like Concerts Second (what I’ve called “Water Fairy,” ably managed by Anna in the past), Concert Sound Engineer (replacing the most excellent Jen and John after six years), possibly Videographer (if K decides to move on as well), and so on.
It’s been very hard work, and I’m glad they’re breaking it down into more positions moving forward. It needs to be; nwcMUSIC has been personality-driven this whole time, because really, that’s how a lot of these things get going. Supervillains got FORCE OF MIND, after all. But a lot of times, that’s how these things end, too, when that personality steps away, or is killed by James Bond, or whatever. Job hazards.
But I promise this: you will not be going in unaided. I will share everything I’ve done and learned. I won’t be on the convention committee next year, but I really, really, don’t want to see nwcMUSIC go away. It’s built up into a nice community (that I want to continue to be part of, as a musician), it’s a really good educational experience for the participants, it promotes participation in your own culture, and it’s a heck of a venue for nerdy and geeky artists.
So someone – several someones – need to take my place. If no one does, it really will go away, and I don’t know anyone who wants that. So please – even if you aren’t the right person for any of these positions, cast that net wide, and pass along the news to everyone you know.
And contact Norwescon Special Events – firstname.lastname@example.org – to get involved. It’ll be a couple of months before much happens for 2016, but they’ll want a list of potential people as soon as possible. This is a big change for Norwescon, too.
I said this at the last show, but thank you again to everyone who has come and played; everyone who has come and participated; everyone who has come and been part of an audience; thanks to K Wiley, videographer, who has worked his ass off to get us livestreaming; and most of all, thanks to Jen Kilmer and John Seghers, who have been our amazing sound crew these past six years. Without them in particular, quite literally none of this could have happened.
We’ve got a hell of a thing here. Keep nwcMUSIC going. I’ll help. And contact email@example.com to join in, today.