Working on a couple of new songs – one that I’ve been sitting on unfinished for a long time, another that’s brand new, a third that’s an adaptation of another song but which I have to take apart and re-engineer because the original is guitar and I don’t play that. Also, it’s written in DADGAD and then partially-capoed two stops (so.. EBEABE?) and yeah, no.
So I’m playing with a drop-E powerchord open tuning that looks something like this:
E2 E3 / E3 E4 / B3 B3 / E5 E5
I don’t want to take it all the way down to D-like and then capo up because it gets kind of flabby down at that D.
This isn’t a tuning I would use for lots of things, but I’ve played with it (well, a variant of it – E2 E3 / D3 D4/ B3 B3 / E5 E5, Edrop3sus2) some before and it’s got a nice heavy sound. Which is not really where the original song I’m modifying goes, but kind of is where my version goes, so I think that’s okay.
I’m hoping I can get it playable for this weekend at Anglicon. That’d be cool.
A second one that’s completely new has a chorus that’s pretty much together and which is made pretty much completely of pop hook and I regret nothing. SO MANY POWER CHORDS. So many.
But the the verses are not happy yet. I seem to have written the ending of the song and getting back to the beginning is problematic.
The third one is complicated as hell and was supposed to be on Dick Tracy Must Die but there ware big swaths of it I never could actually make work. Turns out the solution was hidden in a rhythm change, so that’s kind of a huge surprise.
I wanted to write today about how Jupiter Ascending is basically the Cronenberg Dune with the “Chosen One” arc swapped out in favour of “Hidden Princess” – an arc that fell out of favour in Hollywood live-action several decades ago – but I don’t quite have my head wrapped around it yet. It’s still percolating, I guess.
But that gets back to the songwriting, funnily enough. I don’t seem to swap back and forth between “songwriting” and “blog writing” writing very well. So if blog posts lately seem a little hinky? That’s what’s up.
but I know that
when I see you
that it’s true even so
that the future has a place for me
that the future has a place for all of us now