…it looks like I can edit together two takes I already have. They’re really pretty reasonable. A couple of timing issues but nothing I can fix with tiny snips, and there are a couple of places with a bit of level issues (a couple of notes are a tad hot, a couple are a little too restrained) but I need to learn automation anyway, and it’ll be a good exercise. (Not just for here.) I could fix the three or four problems with that, and maybe should do. And most importantly, Anna likes it. ^_^
This song is mostly on the high end – it’s all mandolin and percussion – so having a bass solo over the bridge really throws it into tonal balance. The bass is as big a surprise here as the flute is on “Artefacts,” but without the shrieking. Ha! I wish I’d thought of that on purpose. Maybe in the liner notes I’ll call it an intentional counterpoint.
Mirrored from Crime and the Blog of Evil.