AND HERE’S THE PITCH:
Hey, it’s Cyber Monday! I’ve got second-CD-shipping set to free, globally, on the band sales site, and second CDs are 20% off on CD Baby! Supervillain music: not only does it make a great present, but the locator chip in the jewel case tells us where not to aim the heat ray! GIVE THE GIFT OF NOT BEING SET ON FIRE! 😀
And now that’s out of the way…
I think I’m finally getting ahead of this learning curve.
I’m gonna put a couple of live videos on youtube, from the last stop on this past tour. I’m not sure what songs yet, I’m still narrowing that down. (Got any requests? Let me know.)
The deciding factor for what goes up will be video quality. It’s not how good the sound is, how good my mic discipline was, or even the performances, because really, that’s all just fine. It’s the video part.
And that’s new, and awesome. It’s taken a lot of work for all the many-more-things-than-you-know that go into a live amped and recorded show to come together this way. A year ago, I’d maybe get one live recording from a show that I’d’ve been okay to have public. “Something’s Coming,” on Dick Tracy Must Die, was recorded live at the Lyon’s Den, for example.
But most of them would’ve had one problem or another. Pops in the microphone. Some stupid fade. The minidisc player failing. Bad levels. The sound guy feeding my recorder the reverb effects return by accident, so all I had was reverb and not the actual music*.
Or voice problems! Singing isn’t my core talent, and I am leagues ahead of where I started, and ahead of last year. Getting good vocals was the hardest performance part of the studio album, by far; it took dozens of takes. Now, lately, I can pop off that level of performance without even thinking about it**.
Things like that. Live recording is hard work. So many things can and do go wrong.
But this year, this tour, and particularly, this last show, the first one where I have complete video? There’s also not a goddamn thing on this latest recording I wouldn’t play for somebody. Hell – I sing along.
Sure, there are flaws. It’s not perfect, there are always things I’d like to do better, particularly in vocals. And I need to patch together some way of getting genuinely separate vocal and instrument recordings, so I can do better equalisation and have better post-show mixes.
But this tour really was a level-up experience. Between the Spooky Action show, the guest spot with Leannan Sidhe that got me my own separate two-song encore***, the set I’m least happy with – the Sidhehaven show – being called “wonderful” on Facebook, and this?
I’m starting to think I might just be gettin’ the hang of this thing. I really do.
I like that. I like it a lot.
Stick around, why don’t you? This trip’s starting to get interesting.
*: YES THIS HAPPENED.
**: I’ve got something I want to release for you guys SO MUCH but I’m still waiting for permission. SO. MUCH. First take, one take, true live recording (no separate vocals/instrument recording), BOOM and done. But it’s a cover, so release must wait.
***: and thanks so much again to them for putting up with that! <3 XD</p>